The Elixir of Love, Opera North, Leeds, January 2007
"Anna Ryberg's Adina brims with high spirits, and the lack of steel in her portrayal is compensated for by her warm, effortless coloratura.. The whole evening is as effervescent as the champagne fountain in the pre-nuptial scene.
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Lynne Walker, The Independent, 19.02.07
"Anna Ryberg makes an engaging, gamine Adina.. The experience is so warm-hearted that you leave the theatre feeling positively tanned and healthy. Tell your friends - or, on second thoughts, don't: they'll all want to go."
Alfred Hickling, The Gurdian, 29.01.07
"Anna Ryberg's Adina is a real charmer, under whose initially hard-nosed exterior beats a loving heart. Her coloratura is exquisite, too. Terrific fun, never a dull moment."
Martin Dreyer, ThisIsYork, The Press, 29.01.07
"Anna Ryberg's appealing Adina is vocally superb and she makes light work of the most demanding passages."
Geoffrey Mogridge, Wharfedale Observer, 01.02.07
Un ballo in maschera, Opera Frankfurt, October 2005
"Anna Ryberg, as the page Oscar, showed delightful coloratura"
Michael Dellith, Frankfurter Neue Presse
"Anna Ryberg was secure and convincing as a female Oscar"
Andreas Schubert, Klassic.com, 2.10.05
"The role of Oscar was here not presented as a male page - instead, by the refreshingly light and agile soprano Anna Ryberg, as a young woman"
Axel Zibulski, Offenbacher Post, 4.10.05
"Anna Ryberg´s Oscar was cheeky, light and staccato in her ´couplets´."
Julia Spinola, Frankfurter Allgemeine, 4.10.05
"Anna Ryberg´s Oscar is witty and agile"
Shirley Apthorp, Bloomberg, 3.10.05
"Anna Ryberg - an Oscar in a skirt - showed a moderately sized but charming lyric soprano"
Claus Ambrosius, Rhein Zeitung, 8.10.05
Il viaggio a Reims, Oper Frankfurt, December 2004
"..Anna Ryberg fizzes delightfully through the high lines of the Contessa di Folleville´s aria."
Claus Ambrosius, Rhein Zeitung, 11.12.04
Semele, Pinchgut Opera Sydney, December 2002
"Anna Ryberg´s Semele glistened with stamina and brilliance - this is a voice of engaging flexilbility and colour"
Peter McCallum
"Outstanding.was so much of the singing, particularly from Anna Ryberg in a brilliantly realised title role."
Sydney Morning Herald
Don Pasquale, Clonter Opera, 1999
"One of the RNCM´s current best prospects, Anna Ryberg, sang Norina with accuracy and vivacity"
The Times
"The cast includes some of this country´s most promising singers - most notably rising star Anna Ryberg, who is quite superb as Norina and demonstrates that, as well as possessing a great voice, she has first-rate comic timing."
Manchester Evening News